Classical review: RSNO/John Lill, Glasgow
RSNO/John Lill - Glasgow Royal Concert Hall
* * * *
Not that the first half performances of Stravinsky’s feverish Symphonies of Winds (gritty, but not quite electrifying enough) or Schubert’s Tragic Symphony (something of a misnomer in this dancing account) served us short. Conductor Douglas Boyd drew stark precision from the Stravinsky, and distinct intimacy from the Schubert.
But the moment the Brahms got under way, we were transported to a whole new dimension. An enlightening one at that. Why, for instance, the scaled-down lower strings? If the reason was to release a latent spring-like delicacy in the score, and give Lill freedom to express the softer expressive potential of the solo writing, then it was a revelation.
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Hide AdI didn’t miss the usual heavy underplay of cellos, enjoying instead the effortless intertwining of soloist and orchestra, Lill’s poetic intensity thus having complete freedom to explore the softest nuances. The slow movement was simply breathtaking, Lill weaving the solo line like a spinal silken thread, around which Boyd’s sensitive shaping of the orchestral commentary created a timeless beauty. A performance, made to look so simple, that will rank among the truly memorable.
Seen on 01.02.14